Book chapter

3D Visualization: Revealing Imagery Space by Technological Parameter

Nina Sosna
RAS-Institute of Philosophy, Russian Federation


ABOUT THIS CHAPTER

The paper examines several examples of visualization common to the contemporary Russian scene, which 1) follow the long tradition of elaborating texts; 2) are developed on the border between the science of geography and visual art; 3) belong to the sphere of amateur production that by trial and error method propose a special 3D filming as a proper way to present an archive. Among other projects concerned with questions of memory work and its visual presentation, it is the latter one that orients itself towards the possibilities of the future.
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Keywords: 3D Filming, Visualization, Russia

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Pages: 181-186

Published by: Firenze University Press

Publication year: 2018

DOI: 10.36253/978-88-6453-707-8.42

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© 2018 Author(s)
Content licence CC BY 4.0
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Publication year: 2018

DOI: 10.36253/978-88-6453-707-8.42

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© 2018 Author(s)
Content licence CC BY 4.0
Metadata licence CC0 1.0

References

  1. “A first in cinema… stereoscopic films in Russian and the Soviet Union”, Studies in Russian & Soviet Cinema. vol. 6, n. 2 ,2012.
  2. http://www.gulagmaps.org, accessed 11.03.2018.
  3. A. Parr, Deleuze and Memorial Culture: Desire, Singular Memory and the Politics of Trauma, Edinburgh University Press, 2010.
  4. R.Braidotti, The Posthuman, Polity Press, 2013.
  5. E.Weizman. Forensic Architecture. Violence at the Threshold of Detectability. MIT Press, 2017.
  6. Russian Photographer at the Turn of the Century: Serguei Chelnokov, Moscow, 2015.

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Cita come:
Sosna, N.; 2018; 3D Visualization: Revealing Imagery Space by Technological Parameter. Firenze, Firenze University Press.


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