Book chapter

A Scientific Method for the Attribution of Paintings with Application to Leonardo’s Mona Lisa Twins

John Fredrich Asmus
University of California San Diego, United States

Vadim Parfenov
St. Petersburg Electrotechnical University, Russian Federation


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Keywords: Paintings, Attribution, Leonardo

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Pages: 48-55

Published by: Firenze University Press

Publication year: 2018

DOI: 10.36253/978-88-6453-707-8.10

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Publication year: 2018

DOI: 10.36253/978-88-6453-707-8.10

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© 2018 Author(s)
Content licence CC BY 4.0
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References

  1. B. Mandelbrot, “The fractal geometry of nature”, W. H. Freeman, New York, NY, 1982.
  2. S. Lyu, D. Rickmore, and H. Farid, “A digital technique for art authentication”, Proceedings of the National Academy of Sciences. 101 (49), pp. 17006–17010, 2004.
  3. M. Shahram, D. G. Stork, and D. Donoho, “Recovering layers of brushstrokes through statistical analysis of color and shape: An application to Van Gogh`s Self-portrait with grey fell hat”, in Computer image analysis in the study of art, D. G. Stork and J. Coddington, eds., 6810, pp. 68100D–1–8, SPIE/IS&T, Bellingham, WA, 2008.
  4. S. Jafarpour, G. Polatkan, E. Brevdo, S. Hughes, A. Brasoveanu, and I. Daubechies, “Stylistic Analysis of Paintings Using Wavelets and Machine Learning” // European Signal Processing Conference (EUSIPCO), 2009.
  5. Friedman T., Lurie D. J., Shalom A. “Authentication of Rembrandt`s Self-portraits through the use of facial aging analysis” // The Israel Medicine Association Journal. 2012.Vol. 14, P. 591–594.
  6. Clark K. “Leonardo da Vinci” / Cambridge: Univ. Press. 1952.
  7. Pedretti C. “Leonardo: A Study in Chronology and Style” / Berkeley: Univ. of Cal. Press. 1973.
  8. Asmus J. F. “Computer Image Studies of Rembrandt Self Portraits” //Human Vision III. 1992. Vol.1666, P.436-445.
  9. Asmus J. F. “Spectral and Spatial Statistics of Raphael Paintings” // Applications of Digital Image Processing XVII. 1994 10.1117/12.186550
  10. Átila S. “A Jovem Mona Lisa e outras questões curiosas na História da Arte” / Rio de Janeiro. 2013.
  11. Lorusso S., Natali A. “Mona Lisa: a comparative evaluation of the different versions and their copies” // Conservation science and Cultural Heritage. 2015. Vol 15. P. 57-84.
  12. “Leonardo’s Earlier Mona Lisa”. 2nd edition. Zurich. 2015.
  13. G. Vasari. “The Lives of the Most Eminent Painters, Sculptors, and Architects”. London: Macmillan and Co. Ld. & Medici Society 1912 – 1914.
  14. Asmus J.F., Bernstein R., Dave J.V., Myers H.J. “Computer enhancement of the Mona Lisa” // Perspectives in Computing. 1987. Vol. 7, P. 11-22.
  15. Asmus J. F. “Computer Studies of the Isleworth and Louvre Mona Lisas" // Optical Engineering. 1989. Vol. 28, No. 7. Р. 800–804.
  16. “Kunstkritische Studien über italienische Malerei“. Leipzig. 1890-1893. Bd. 1-3.
  17. ”A Corpus of Rembrandt Paintings IV. Self-portraits”. Dordrecht, 2015.

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Asmus, J.; Parfenov, V.; 2018; A Scientific Method for the Attribution of Paintings with Application to Leonardo’s Mona Lisa Twins. Firenze, Firenze University Press.


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