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Nostalgia and Creaturality in H. Leivick’s Тhe Golem

Laura Quercioli Mincer
University of Genoa, Italy - ORCID: 0000-0002-6957-0170


ABOUT THIS CHAPTER

This article examines some of the constituent elements of an often metaphysical "Jewish angst" or "Jewish toska" found in the Yiddish language drama "The Golem" (Der goylem, 1921). In this masterpiece by Russian Jewish writer H. Leivick, the renowned man-made clay giant clay of ancient Kabbalah legend, is the creature of sixteenth-century Rabbi Loew, the Maharal of Prague, and becomes an emblem of Jewish melancholic nostalgia. Such toska is directed simultaneously at the ontologically distant Creator, supremely unattainable, and at the equally unreachable messianic era. The Golem's sense of estrangement from his own existence, explored here in tandem with Leivick's biography, ultimately renders him a personification of nostalgia itself.
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Keywords: H. Leivick, Yiddish Literature, Russian Symbolism, Golem, Jewish Mysticism

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Pages: 57-74

Published by: Firenze University Press

Publication year: 2015

DOI: 10.36253/978-88-6655-822-4.04

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© 2015 Author(s)
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Publication year: 2015

DOI: 10.36253/978-88-6655-822-4.04

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© 2015 Author(s)
Content licence CC BY 4.0
Metadata licence CC0 1.0

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Cita come:
Quercioli Mincer, L.; 2015; Nostalgia and Creaturality in H. Leivick’s Тhe Golem. Firenze, Firenze University Press.


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