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Electronic Imaging & the Visual Arts. EVA 2018 Florence

Florence (9-10 May 2018)

Edited by:

Vito Cappellini
University of Florence, Italy - ORCID: 0000-0002-2256-6908

+ More about the authors

Vito Cappellini, Full Professor of Electrical Communications and "Professore Emerito" of Florence University.
He obtained the degree in Electronic Engineering from the Politecnico di Torino in November 1961. In October 1975 he was nominated Full Professor in Electrical Communications at Engineering Faculty of Florence University. He was Director of Istituto di Ricerca sulle Onde Elettromagnetiche (IROE) "Nello Carrara" of National Research Council (C.N.R.) in Florence (1981-1989). He was Dean of the Engineering Faculty of Florence University (1993-1995). His main research activities regard: digital image analysis and processing; digital communications; data protection ("copyright"). He has published over 400 papers and contributed - as author and co-author - to several books printed at national and international levels. He was Director of "Uffizi Project" of C.N.R.. He is Organizer and Chairman of the yearly Event EVA FLORENCE. He is President of INN-3D Srl Firm in Empoli (FI), which develops Innovations in the Area of 3D Digital Technologies, with particular references to 3D Digital Models and their Protection. He received several international Awards and in particular the "IEEE Centennial Medal". He is "fellow" of the IEEE, member of AEIT and AIT.

Vito Cappellini, Professore Ordinario di Comunicazioni Elettriche e "Professore Emerito". Si è laureato in Ingegneria Elettronica presso il Politecnico di Torino nel Novembre 1961. Nell'Ottobre 1975 è stato nominato Professore Universitario di ruolo (Cattedra di "Comunicazioni Elettriche") presso la Facoltà di Ingegneria dell' Università di Firenze. Dal 1981 al 1989 è stato Direttore dell'Istituto di Ricerca sulle Onde Elettromagnetiche (IROE) del C.N.R. di Firenze. Dal 1993 al 1995 è stato Preside della Facoltà di Ingegneria di Firenze. Le sue principali attività di ricerca riguardano: elaborazione numerica delle immagini; comunicazioni digitali; protezione dei dati ("copyright"). Ha pubblicato oltre 400 articoli e contribuito, come autore-coautore, a diversi Libri in ambito nazionale e internazionale. È Organizzatore e Chairman della Manifestazione annuale EVA FLORENCE (Electronic Imaging & the Visual Arts). Ha ricevuto numerosi premi e riconoscimenti internazionali, fra cui la "IEEE Centennial Medal". È "fellow" della IEEE e membro della AEIT e AIT.

DOI: 10.36253/978-88-6453-707-8 Series: Proceedings e report ISSN 2704-601X (print) - ISSN 2704-5846 (online)

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Scientific board: 21 members, 1 research institutions, 1 nations
Authors: 50 authors, 51 editors
Books: 34 monographs, 34 edited books
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The Publication is following the yearly Editions of EVA FLORENCE. The State of Art is presented regarding the Application of Technologies (in particular of digital type) to Cultural Heritage. The more recent results of the Researches in the considered Area are presented. Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging & the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Monuments, Archaeological Sites). The International Conference includes the following Sessions: Strategic Issues; New Sciences and Culture Developments and Applications; New Technical Developments & Applications; Museums - Virtual Galleries and Related Initiatives; Art and Humanities Ecosystem & Applications; Access to the Culture Information. Two Workshops regard: Innovation and Enterprise; the Cloud Systems connected to the Culture (eCulture Cloud) in the Smart Cities context. The more recent results of the Researches at national and international are reported in the Area of Technologies and Culture Heritage, also with experimental demonstrations of developed Activities.

La Pubblicazione prosegue le edizioni annuali di EVA FLORENCE. Presenta lo stato dell'arte a livello nazionale ed internazionale sulla applicazione delle Tecnologie (in particolare Digitali) ai Beni Culturali. Sono riportati i risultati delle Ricerche più recenti nel Settore di riferimento. Sono presentate le tematiche relative alle Tecnologie dell' Informazione per i Beni Culturali: sistemi multimediali, archivi, protezione dei dati (anticontraffazione), accesso ai contenuti digitali, Gallerie Virtuali. Particolare rilievo è riservato alle Immagini Digitali (Electronic Imaging & the Visual Arts), che riguardano le Istituzioni Culturali (Musei, Biblioteche, Palazzi - Monumenti, Siti Archelogici). La Conferenza Internazionale e' articolata nelle seguenti Sessioni: Attivita di Interesse Generale Strategico; Nuovi Sviluppi Scientifici e Culturali e relative Applicazioni; Nuovi Sviluppi Tecnologici ed Applicazioni; Attività Culturali - Gallerie Reali e Virtuali e relative Iniziative; Accesso alle Informazioni relative ai Beni Culturali. Un Workshop riguarda: l' Innovazione e l' Impresa con presentazione di Sistemi Industriali Innovativi. In particolare sono riportati i Risultati relativi alle Ricerche più recenti a livello nazionale ed internazionale nel Settore delle Tecnologie e dei Beni Culturali anche con Dimostrazioni sperimentali sulle Attività sviluppate.

Keywords: Electronic Imaging & the Visual Arts, EVA 2018 Florence, Proceedings

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Publication year: 2018

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Pages: 200

ISSN print: 2704-601X

ISBN: 978-88-6453-706-1

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Publication year: 2018

Pages: 200

ISSN online: 2704-5846

e-ISBN: 978-88-6453-707-8

DOI: 10.36253/978-88-6453-707-8

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Publication year: 2018

ISSN online: 2704-5846

e-ISBN: 978-88-9273-104-2

DOI: 10.36253/978-88-6453-707-8

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Program

Strategic Issues

Bahar Taskesen, Anthony George Constantinides Interactive Image Reconstruction from its Incomplete, Irregular and Imprecise Fragments

pp. 26-33 DOI: 10.36253/978-88-6453-707-8.07 CC BY 4.0

Herbert D. G. Maschner, Víctor Manuel López-Menchero Bendicho, Miguel Ángel Hervás Herrera, Jeffrey Du Vernay, Aurelia Lureau, James Bart McLeod At the Intersection of Art, Architecture and Archaeology: 3D Virtualization and Contemporary Heritage

pp. 34-40 DOI: 10.36253/978-88-6453-707-8.08 CC BY 4.0

Claudio Lucchiari, Maria Elide Vanutelli, Raffaella Folgieri Is Three better than Two? A Study on EEG Activity and Imagination Abilities in 2D vs 3D Stimuli

pp. 41-47 DOI: 10.36253/978-88-6453-707-8.09 CC BY 4.0

John Fredrich Asmus, Vadim Parfenov A Scientific Method for the Attribution of Paintings with Application to Leonardo’s Mona Lisa Twins

pp. 48-55 DOI: 10.36253/978-88-6453-707-8.10 CC BY 4.0

Nikolay Borisov, Artem Smolin, Vera Slobodyanuk Use of Multimedia and Virtual Reality Technologies to Represent Russian Cultural Heritage

pp. 56-57 DOI: 10.36253/978-88-6453-707-8.11 CC BY 4.0

New Science and Culture Developments & Applications

Giuseppe O. Longo Homo Technologicus Comes of Age: an Ongoing Evolution

Mika Laakkonen Cognitive Stages in Rational Thinking - toward Human Technology

pp. 61-68 DOI: 10.36253/978-88-6453-707-8.15 CC BY 4.0

Marcello Picollo, Andrea Casini, Costanza Cucci, Jouni Jussila, Marco Poggesi, Lorenzo Stefani A New Compact VNIR Hyperspectral Imaging System for Non-Invasive Analysis in the FineArt and Architecture Fields

pp. 69-74 DOI: 10.36253/978-88-6453-707-8.16 CC BY 4.0

Roberto Franco The Place of Inspiration of the Flemish Triptych by Rogier van der Weyden. A Contribution of the landscape busting to one of the vexata quaestio of the Sicilian History

pp. 75-80 DOI: 10.36253/978-88-6453-707-8.17 CC BY 4.0

Gianpiero Alfarano, Erika Lascialfari The Cultural Heritage of Tomorrow: Should we Put a Limit to the Influence that New Technologies Have on Culture and Design?

pp. 81-86 DOI: 10.36253/978-88-6453-707-8.18 CC BY 4.0

Lawrence Camarda, Antonio D’Arienzo, Michele D’Arienzo The Use of the Intelligent Cutting Guide PERSEUS during Total Knee Replacement

New Technical Developments & Applications

Andrea de Polo Saibanti Latest Innovation on Capturing Historical Photographic Ethereogenous Material: the Alinari Experience

Masayuki Tanimoto International Standardization of FTV

pp. 92-99 DOI: 10.36253/978-88-6453-707-8.23 CC BY 4.0

Masayuki Tanimoto, Hirokuni Kurokawa 4D Ray-Space and Ultra-Wide Area FTV

pp. 100-107 DOI: 10.36253/978-88-6453-707-8.24 CC BY 4.0

Franco Guidi, Giancarlo Caroti Digital Innovation & Technological Explosion

pp. 108-113 DOI: 10.36253/978-88-6453-707-8.25 CC BY 4.0

Vito Cappellini, Francesca Uccheddu New Trends of 3D Technologies and Copyright Protection

Cultural Activities – Real and Virtual Galleries and Related Initiatives

Ilaria Ciseri Museo Nazionale del Bargello

Oliver Grau Resisting a Total Loss of Digital Heritage Web 2.0 – Archiving & Bridging Thesaurus for Media Art Histories

pp. 119-126 DOI: 10.36253/978-88-6453-707-8.29 CC BY 4.0

Mauro Matteini The Extraordinary Role of the Imaging Techniques in the Conservation and Valorization of Cultural Heritage

pp. 127-129 DOI: 10.36253/978-88-6453-707-8.30 CC BY 4.0

Jean Paul Carradori, Qing Li Technology and Theatrical Tradition in Art Exhibitions: "Earlier Mona Lisa" in Shanghai

Marco Cappellini, Paolo De Rocco, Paolo Romoli Reinassance Experience: Florence and Uffizi

Sara Penco Smarticon: a Digital Eco-System for Cultural Heritage. Iconographic Convergences in Art and in World Religions

pp. 135-142 DOI: 10.36253/978-88-6453-707-8.33 CC BY 4.0

James R. Hemsley Some Reflections & Questions on Emerging Forms of Digital Photo-Libraries

pp. 143-145 DOI: 10.36253/978-88-6453-707-8.34 CC BY 4.0

Paola Imposimato Contemporary Art Creation and Exhibitions

Access to the Culture Information

Jeanette Zwingenberger Creative Perception, decoding of Hidden Images, Contextualisation and Interactive Learning Process

Maureen Burns, Andreas Knab Instant Architecture: Hosted Access to the Archivision Research Library with Built-In Image Management & Presentation Tools

pp. 150-157 DOI: 10.36253/978-88-6453-707-8.38 CC BY 4.0

Marcia Focht Maximizing Metadata: Embedded Metadata Tools

pp. 158-165 DOI: 10.36253/978-88-6453-707-8.39 CC BY 4.0

Valentina Zucchi, Antonella Guidazzoli, Giovanni Bellavia, Daniele De Luca, Maria Chiara Liguori, Francesca Delli Ponti, Federica Farroni, Beatrice Chiavarini Il Piccolo Masaccio e le Terre Nuove. Creativity and Computer Graphics for Museum Edutainment

pp. 166-172 DOI: 10.36253/978-88-6453-707-8.40 CC BY 4.0

Graham Diprose, Christina Hemsley, James R. Hemsley Canals, Cities, Museums, Libraries & Photography: a Reconnaissance Study of Regent’s Canal, London

pp. 173-180 DOI: 10.36253/978-88-6453-707-8.41 CC BY 4.0

Nina Sosna 3D Visualization: Revealing Imagery Space by Technological Parameter

pp. 181-186 DOI: 10.36253/978-88-6453-707-8.42 CC BY 4.0

Francesco Spadoni, Flavio Tariffi, Raffaele Rossi, Salvatore Lusso A Techno Social Collaborative Platform to Manage Optimize and Crowdfund Cultural Heritage Initiatives

pp. 187-194 DOI: 10.36253/978-88-6453-707-8.43 CC BY 4.0

Index